Bombay Velvet was Bollywood's biggest flop this year.
Anurag Kashyap has a lot of talent, says Aseem Chhabra. He just needs to stop making films that are very similar.
The filmmaker turns 42 today, September 10.
'I started everything early; I was way ahead of everybody,' Ranveer Singh tells Sonil Dedhia.
Which one are *you* looking forward to?
Aseem Chhabra lists the movies that taught him about the Idea of India.
'The way they have showed Bajirao dancing in the song Malhari Malhari -- this is not the way to depict history.'
Birdman. Boyhood. The Grand Budapest Hotel...
Tevar emerges an overdone, underwhelming film with zero charm, warns Raja Sen.
Chennai-based theatre artist Kalieaswari Srinivasan opens up on what it means to be part of a Jacques Audiard film, and her Cannes experience.
Here's looking at some popular Bollywood movies shot in Kashmir.
These hotties have been the toast of the fashion world this year. Vote for your favourite.
An oil painting by abstract artist Vasudeo S Gaitonde set a new world record for Indian artwork when it sold for a whopping Rs 29.3 crore ($4.4 million) at a Christie's auction in Mumbai on Tuesday.
War is as grand and consummate as love in Bollywood.
Celebrating the Thalaiva's birthday.
'The film industry will remain soft targets and continue to be picked upon with no respite, with no choice but to give in due to personal safety and financial compulsions,' says director Suparn Verma.
We list down some of the memorable performances as historical figures.
Baahubali: The Conclusion doesn't enlarge the scope of the first picture or deepen its meaning, feels Sreehari Nair.
'There will not be another Baahubali in this country.' Rana Daggubati gives us a sneak peek into the much-awaited sequel.
Sanjay Leela Bhansali celebrates the success of his dream project.
Tamil Nadu has time and again proved that it needs a decisive leader even if corrupt, rather than an indecisive leader, however good-hearted, good-natured and honest he may be, writes N Sathiya Moorthy.
'I didn't get any recognition in Kerala for this film and it has definitely hurt me. When the whole world is celebrating the return of Sanskrit, my state is busy ignoring it.' Vinod Mankara talks about his award-winning film, Priyamanasam.
Raja Sen makes his predictions for Hollywood's first awards show of the year.
The company's net profit went up 27% in December quarter, sequentially better than peers; core IT services up 33%..
'Maharawal Ratan Singh's situation in Padmaavat is very similar to Shahid's situation in Padmaavat, as an actor. I was pitted against very high odds, in a very unlikely situation and I had to somehow come out with flying colours.'
'The biggest disappointment at the Berlinale is the very small representation of Indian films.'
'The public has unfair expectations from Mrs Swaraj who is in Islamabad primarily for the Heart of Asia Conference. To restore India's position among stakeholders on Afghanistan is a fair one but to expect her to do more on the Indo-Pak front without requisite preparatory work is unrealistic.'
I have done seven films in the last five years, and that's a lot for me, Rana Daggubati tells Sonil Dedhia/ Rediff.com
'Ravi Shastri told me he would go miles, and pay, to enjoy Vishy make 20 than to watch someone scoring an inelegant, laborious, 200.'
'The biggest advantage for India was its seasoned and experienced political leadership who had spent decades struggling against the Raj and had spent years behind bars.' 'Not a single prominent leader of the Muslim League spent one day in jail.' 'Gandhiji, Nehru and Sardar Patel were intelligent, shrewd men with their hands on the popular pulse.'
'We shot Baahubali in Hyderabad during the summer when the temperatures would soar to 45 degrees. There was an ambulance on the set and every day someone would be injured or faint. Whenever I saw that ambulance, I heaved a sigh of relief and thanked god that it was not me.' Rana Daggubati shares his experience of shooting for Baahubali.
The Bollywood stalwart turns 70 on January 17.
We suffered worse political degradation during the Emergency. But we emerged resurgent and vigorous because the spirit was not broken. This time around, we face an imminent threat to it, says Shreekant Sambrani
Sathya Saran talks about Guru Dutt and Abrar Alvi at the launch of her book Ten Years with Guru Dutt: Abrar Alvi's Journey.
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